害羞草研究所

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Ballet Victoria害羞草研究所檚 Paul Destrooper Brings Dance to the People

Former dancer is now the artistic and executive director
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Paul Destrooper, Artistic & Executive Director of Ballet Victoria at the ballet害羞草研究所檚 offices in St. Andrew害羞草研究所檚 Presbyterian Church. Don Denton photography

It害羞草研究所檚 Sunday morning, and behind the soaring brick walls of , up several flights of stairs and into the studios of , the resonant tones of the church害羞草研究所檚 organ come drifting through the walls, filling the space with music.

害羞草研究所淚t害羞草研究所檚 like living with the phantom of the opera,害羞草研究所 laughs Paul Destrooper as he pulls out a chair for me in his office. The music fades as the service next door gets underway, and I ask him about his time with Ballet Victoria.

Paul has been executive and artistic director for the last 11 of the company害羞草研究所檚 16 years, joining the ranks in 2007 when he was offered the position while dancing with in Portland. An award-winning graduate of the , Paul was born in Montreal and grew up in Switzerland, but always had a soft spot for Victoria. He actually completed his BA in literature at UVic when he was younger before dance 害羞草研究所渄istracted害羞草研究所 him.

After providing those few details about himself, he enthusiastically moves the direction of the conversation, spotlighting instead the community initiatives the company has undertaken since he took the reins.

害羞草研究所淲e do a lot for the community,害羞草研究所 he says. 害羞草研究所淲e害羞草研究所檙e a not-for-profit and we害羞草研究所檙e also a charitable organization, and we try to make our art form accessible to everyone.害羞草研究所

Producing shows in a proper theatre skyrockets the costs, which is in part necessarily passed on into ticket prices, he says. So to help get around that and give more people the opportunity to experience ballet, Ballet Victoria runs Tea for Tutu. A free, 45-minute ballet performance at the adjacent Kirk Hall, Tea for Tutu offers seniors, parents, kids and anyone else a preview at an upcoming performance, plus the opportunity to discuss it afterwards over complimentary tea and baked goods.

害羞草研究所淭hey get to talk about the performance with each other and with the dancers. We bring seniors in from different residences. It害羞草研究所檚 also open to single parents and homeschooled kids, so there害羞草研究所檚 literally three generations in there,害羞草研究所 says Paul.

Ballet Victoria also runs several school outreach programs, with Paul and other dancers and instructors travelling to schools to share the benefits of dance with children from kindergarten all the way up to high school, offering it as an alternative to sport and a way to keep both mind and body healthy.

害羞草研究所淒ance is being used in therapy to slow down brain diseases,害羞草研究所 adds Paul, which makes complete sense to me. To dance, no matter the style, you need spatial awareness, coordination in your limbs, the ability to move in space around other people, the ability to memorize the music and so much more. It害羞草研究所檚 a phenomenal mental and physical workout. (I can personally attest to this. Earlier in the spring I took a beginner害羞草研究所檚 ballet class, and I害羞草研究所檝e never felt both so graceful and uncoordinated at the same time.)

To that end, Paul is currently working with a friend in Toronto to create a class for people with Parkinson害羞草研究所檚 disease, in the hopes of using dance to help slow the progression of symptoms for participants. Hopefully, he says, it will be up and running by the next season.

One of the new and important components of Ballet Victoria is the Conservatory, which offers a variety of classes taught by the company害羞草研究所檚 most seasoned professional dancers. Talented teachers with years of performing experience generously pass on their technique, skills and passion to their students, says Paul. Unique in British Columbia, Ballet Victoria害羞草研究所檚 main stage productions still focus on classical ballet technique and pointe work, he adds, which require an enormous amount of technical skill and strength for both female and male dancers.

But it quickly becomes clear that Paul works to inject a little 害羞草研究所21st-century flavour害羞草研究所 into the company害羞草研究所檚 personality as well. Diving into the 害羞草研究所渁rtistic害羞草研究所 portion of his direction in the upcoming October production of Frankenstein 害羞草研究所 the start of the new season 害羞草研究所 Paul has taken story strands from Mary Shelley害羞草研究所檚 masterpiece, the tragic love story ballet Giselle and Tim Burton害羞草研究所檚 Corpse Bride, and woven them together into a show that害羞草研究所檚 heartbreaking, satirical and beautiful, and even includes a space-opera-inspired fight scene. (I won害羞草研究所檛 spill the details here, but for anyone who was watching movies in the 害羞草研究所70s, it害羞草研究所檒l be a fun surprise.)

Ballet Victoria害羞草研究所檚 artistic director Paul Destrooper. Don Denton photography.

He also puts on Ballet Rocks, a production that pairs classical ballet with rock music, and mixes classical and modern music.

害羞草研究所淟ike Mozart and Pink Floyd. They go great together,害羞草研究所 he says with a grin.

As much as possible (and as much as budgets allow), he strives to work with live musicians, whether it害羞草研究所檚 a full orchestra or a single musician.

害羞草研究所淚t adds dimension to the performerance,害羞草研究所 he says. 害羞草研究所淭here has to be communication between the musician and the dancers, and you can get to a level when the music and dance are symbiotic.害羞草研究所

害羞草研究所淲hen it害羞草研究所檚 live, you have the added interpretation of the musician, and the audience gets caught in the middle of it,害羞草研究所 he says, becoming more animated as he speaks. 害羞草研究所淣ormally the orchestra is in the pit, but when we do Carmina Burana, they害羞草研究所檙e behind us on stage with the full choir, so the music, it physically comes through you. It害羞草研究所檚 incredible!害羞草研究所

害羞草研究所淭here害羞草研究所檚 something primeval about dance,害羞草研究所 he says, elaborating: men would dance to prepare for war, the rhythm and grace of it going hand in hand with horseback riding or fencing. Even going back thousands of years to our Cro-Magnon ancestors, they would dance around the fire to prepare themselves for the hunt. 害羞草研究所淵ou warm up your body, you meet in unison, then you go out to meet the challenge.害羞草研究所

Today, to see a performance is to experience another person害羞草研究所檚 emotion, their soul that they害羞草研究所檙e giving to the dance. And dance as an art form has grown to include a wealth of cultures and perspectives.

害羞草研究所淚 think we move people just as deeply with our movement and expression as a poet could do, or a playwright or a musician,害羞草研究所 says Paul. 害羞草研究所淓verything we do is beautiful, and powerful. Ballet has a traditional, stereotypical flavour, and I think people have been slow to realize that even classical ballet has evolved, and that it truly can appeal to all. I think everything we do at Ballet Victoria 害羞草研究所 thanks to the immense talent and passion of the dancers 害羞草研究所 will surprise and inspire people.害羞草研究所

-Story by Angela Cowan

Story courtesy of , a Black Press Media publication
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