害羞草研究所

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Big bucks for painting of small B.C. town

A 1965 painting of Ashcroft by E. J. Hughes exceeded its pre-auction estimate at a recent sale.
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This 1965 painting of Ashcroft by E.J. Hughes recently sold at auction for more than $200,000. Photo: Heffel Fine Art.

A 1965 painting of Ashcroft by renowned west coast painter Edward John (E.J.) Hughes recently sold at a Heffel Fine Art Post-War and Contemporary Art live auction for $205,000 (including buyer害羞草研究所檚 premium). Its estimated sale price was $125,000 to $175,000.

害羞草研究所淎shcroft (On the Thompson River in Central BC)害羞草研究所 is a 32 x 48 inch oil on canvas work. Over the years it has been exhibited at several shows across Canada, including one at the National Gallery of Canada in Ottawa.

Hughes害羞草研究所攏ow regarded as one of the most accomplished B.C. landscape painters of his time害羞草研究所攚as born in North Vancouver in 1913 and grew up in Nanaimo.

He trained at the Vancouver School of Art and became a commercial artist, then enlisted in the Royal Canadian Artillery in 1940 and became an Army artist. He was soon promoted to the position of official Army War artist, and worked in Canada, Great Britain, and the Aleutians.

When the war ended Hughes returned to Vancouver Island, where he continued painting. In 1951 he signed a contract with the Dominion Gallery in Montreal and was able to earn a living as a full-time artist.

He was commissioned by Standard Oil to create a series of works depicting B.C.害羞草研究所檚 coast, and spent a good deal of time travelling through, and painting, the province害羞草研究所檚 Coastal and Interior regions.

Hughes was elected to the Royal Canadian Academy in 1966. He continued to paint until he passed away in Duncan, B.C. in 2007, aged 93.

In 1956害羞草研究所攚hen Hughes was already celebrated for his West Coast landscapes害羞草研究所擵ancouver art collector Doreen Norton sponsored him on a sketching trip to the B.C. Interior. Hughes was very much impressed by what he saw, writing to Norton that 害羞草研究所淚 can understand your enthusiasm in the country up there. The views are really magnificent.害羞草研究所

In 1958 Hughes returned to the Interior, making detailed graphite sketches which he took back with him to his studio at Shawnigan Lake and used to produce oil paintings of what he had seen. One of them was 害羞草研究所淎shcroft (On the Thompson River in Central BC)害羞草研究所, which the Heffel害羞草研究所檚 catalogue describes as a 害羞草研究所渕agisterial work害羞草研究所.

The catalogue goes on to describe the painting in more detail: 害羞草研究所淭his stunning panorama showcases Hughes害羞草研究所檚 keen powers of observation and his ability to divine the essence of the landscape. Here he captures both the fine details of the town, overshadowed by its dramatic setting, and the vastness of the surrounding landscape, from the sinuous Thompson River to the striking clouds rolling up over the distant mountains.

害羞草研究所淭he colour palette in this canvas is brilliant and intense害羞草研究所攁 hallmark of his sought-after 1960s works. Hughes害羞草研究所檚 unique and powerful vision of the landscape in works such as this made him one of the most important landscape painters in Canada.害羞草研究所

The painting害羞草研究所檚 selling price, although hefty, is far from the highest price paid at auction for a Hughes work. His painting 害羞草研究所淭he Post Office at Courtenay, BC害羞草研究所 was estimated at $600,00 to $800,000 when it went to auction in May, 2016, and sold for $1,593,000 (buyer害羞草研究所檚 premium included). 害羞草研究所淐oastal Boats Near Sidney, BC害羞草研究所 also topped the $1 million mark at auction (in 2011)

Hughes is not the only well-known Canadian artist to have visited Ashcroft and drawn what he saw there. In 1945 A.Y. Jackson, a member of the Group of Seven, came to Ashcroft and produced two studies of it: one looking south down Railway Avenue (the north edge of the Central Caf茅 building is just visible) and one looking east over the town from the north end of Brink Lane.

Both of Jackson害羞草研究所檚 Ashcroft works have been interpreted and recreated as glass mosaics, and are visible on the Rolgear building on Railway Avenue and in the Heritage Park near the gazebo.



editorial@accjournal.ca

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Barbara Roden

About the Author: Barbara Roden

I joined Black Press in 2012 working the Circulation desk of the Ashcroft-Cache Creek Journal and edited the paper during the summers until February 2016.
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