This letter was submitted to the 害羞草研究所 by a local musician who wishes to remain anonymous.

To Kelowna害羞草研究所檚 music fans:

Frankly, I害羞草研究所檓 not sure how to start this. I害羞草研究所檓 sad, and angry, and disappointed, and have utterly lost hope in Kelowna害羞草研究所檚 cultural identity.

I害羞草研究所檓 sure by now that many of you may have heard that one of Kelowna害羞草研究所檚 cultural touchstones, Fernando害羞草研究所檚 Pub, has announced that it is shutting down at the end of the month. It害羞草研究所檚 another in a growing list of music venues in the city that have been struggling pre-and-post pandemic, though 害羞草研究所減ost-pandemic害羞草研究所� is yet to be seen. This served as home for art for a decade. I am deeply distressed at what is happening to our arts culture in Kelowna.

I would like to put it to you, citizens of Kelowna, that your artists and the homes for your artists are in desperate need of you right now, and although they may not say as much 害羞草研究所� they 害羞草研究所� WE 害羞草研究所� need you right now.

I害羞草研究所檒l keep this as short as I can.

In the ten short years that I have called this town my home, I have watched the music and art scene grow in leaps and bounds, and in the last two, I have watched it shrink to something smaller than it was when I had arrived. I don害羞草研究所檛 mean the artists, for there are roughly the same amount of artists as there always have been. The Okanagan has been a landing pad for artists from all over the world. That害羞草研究所檚 not the point of this 害羞草研究所� the point is that we害羞草研究所檙e watching beautiful, important and courageous venues fall through the cracks, thus erasing the places for these artists to perform and deliver their craft.

Yes, there are 害羞草研究所渧enues害羞草研究所� 害羞草研究所� but the art is always a second thought in these venues. Yes, as artists, we害羞草研究所檙e grateful that these venues exist, but they are not for the performance. The performance is secondary to the food or beer that is on offer, which is fine. That is a model that works in the low-profit-margin world of hospitality, and it is one way to do it. But it is not where many of these world-class artists belong, nor do they actively search to bring touring artists off the road and into our community.

I ask you 害羞草研究所� why are we losing all the courageous venues that boldly wave the artists害羞草研究所� banner, take chances on touring artists, highlight alternative music styles, and do it all unflinchingly in the face of a myriad of difficulties? Where have they gone in the last 3 or 4 years?

Last year there was a group of artists, managers, promoters and big-wigs in the Kelowna scene that got together to discuss the Okanagan Music Industry. A consulting firm was hired to survey music fans, artists and pros alike 害羞草研究所� and eventually results were presented. It showed a number of things, equally surprising and unsurprising. One of the things it showed was you, as a populace, 害羞草研究所渨ant to see more live shows,害羞草研究所� 害羞草研究所渨ould go to more live shows in the future,害羞草研究所� 害羞草研究所渨ish there were more venues in Kelowna,害羞草研究所� and 害羞草研究所渨ould attend more shows if the parking wasn害羞草研究所檛 so bad.害羞草研究所� All of this, among other things. Great information, great research 害羞草研究所� it害羞草研究所檚 actually really good stuff, and anyone who害羞草研究所檚 keen on making a meaningful impact in the local community should read it.

But it all came to a head with discussions and meetings about these things, with industry professionals and experts telling big stories about how they will 害羞草研究所渃hange害羞草研究所� the industry, how they will 害羞草研究所渞evitalize害羞草研究所� the scene, and 害羞草研究所渋nject害羞草研究所� culture into this town.

Not once did I hear about what we can do to support our existing scene 害羞草研究所� artists and venues alike. Not once was there meaningful discussion on how we can support our existing venues.

You and I, dear reader, have watched venue after venue shut down in the downtown core that meant more to me than most will understand. And no one has batted an eye. These were those courageous venues that put original art at the forefront of their business plan, and have suffered as a result. No help from the city or arts groups to help keep them afloat, or in many cases 害羞草研究所� no willingness to collaborate.

The Grateful Fed was a cultural touchstone that served as an integral space for bands, artists and all types of troubadour types to hone their skills, collaborate, and commiserate. It害羞草研究所檚 gone.

Muninn害羞草研究所檚 Post was a cultural touchstone that hosted touring artists and live music ranging from free jazz to black metal. They were a safe space that served great grub at reasonable prices. It害羞草研究所檚 gone.

Milkcrate Records was a cultural touchstone that worked tirelessly hosting indoor & outdoor shows, selling records, providing rehearsal & rentable space, and providing a safe space for people from all walks of life. It害羞草研究所檚 gone.

The NAC (New Arts Collective) was a cultural touchstone that served as part artist-collective, part studio space, and part showroom for small shows. Their leading principle was always 害羞草研究所渕eaningful experiences.害羞草研究所� It害羞草研究所檚 gone.

The Habitat. A cultural touchstone that provided a much-needed all-ages space for amateurs to professionals, employed sound techs, musicians, lighting techs, and was a hub for Music BC. It害羞草研究所檚 gone.

Doc Willoughby害羞草研究所檚 used to serve up a home for punk rock, hard rock, and music that doesn害羞草研究所檛 always have a home in the Okanagan. They have put shows on hold for an indeterminate amount of time, and this author is skeptical that they害羞草研究所檙e going to be providing the home for bands like DOA in the future.

And Fernando害羞草研究所檚 Pub. The glue that held it all together. The place that this author believes was the fearless-banner-bearer of the proud Kelowna Music Scene. The home that brought touring artists off of Highway 1 and into our region, that brought well-known artists like William Prince, Terra Lightfoot and We Hunt Buffalo in. It was part of what caught the eye of BreakOut West. It provided early homes and jump-off gigs for our exports like The Wild, Yukon Blonde, and Tiger Moon, among others. Well Kelowna, as of the end of the month it害羞草研究所檚 gone.

And all we can do is talk about 害羞草研究所淣ew Venues,害羞草研究所� and make empty promises about going to shows in the future? It害羞草研究所檚 a shame. This is a loss felt by the entire music community, and our love goes to all of the passion-players that were with all of these venues, especially Fernando害羞草研究所檚.

It害羞草研究所檚 not all doom and gloom. Before I sign off, I put this to you. There are a pair of courageous music venues that are providing a home for meaningful experiences. If you want to see more shows, then this is the time to do it 害羞草研究所� and they provide a safe environment for you to do so in our currently Covid reality.

Red Bird Brewing. Shows Thursdays and Saturdays. Wanna know what shows are gonna be up there? Follow them on their socials, or follow .

The Curious. Wednesday to Friday they host dinner shows. Follow them on their socials for show updates, or follow EiKelowna.

There are talks about other venues doing live music, and there are other venues hosting cover bands all the time. But if you want artists to thrive in this region, and if you want venues to continue to exist, then it害羞草研究所檚 time now to go to a real venue that waves that banner of courage. Pay cover. Book a ticket, and heck, buy another one for a friend. Go for the show, primarily. Support someone you don害羞草研究所檛 even know. Eat the food, enjoy the drinks, take photos and take in the whole experience.

Because if you don害羞草研究所檛 害羞草研究所� no one else will, and our artists are going to move.

Anonymous

Kelowna, B.C.